Vivek Oberoi is a stoic presence here, but his lip-syncing is commendable, and so is Vineeth's dubbing. A lot of Abinandhan Ramanujam's frames are aesthetically pleasing, and Jakes Bejoy's background music is cool. Kaduva is a technically well-made film, though. Some of those scenes are enjoyable, nevertheless. At best, it is an excuse for a few set-ups and mass scenes with punch dialogues. The beginning and ending of the film make it seem like a bit pointless. It is hardly the case here, because the writing is quite unoriginal. It works better when a hero's failure seems like our failure and his triumph appears to be our triumph. But the main issue is that the plot or the narrative does not do enough to strike a chord with the audience. It is modest and believable enough for a mass-hero film. The film is not all that cringe-worthy or, for lack of a better word, kathi. If not for Prithviraj and some entertaining scenes in the first half, Kaduva would have seemed more of a slog than it already is. So, his lack of intensity is more of a missed opportunity for the filmmaker. We know that he is quite capable of doing Koshi in an Ayyappanum Koshiyum. These things stand out because Prithviraj is a much more mature actor now. His smile comes so soon after the situation that we barely get time to register these emotions properly. It does not suit the intensity of the character in a particular situation. What does not help is the smile on Prithviraj's face whenever he bashes up a few people. But the storytelling here is so simplistic that we know that the character will eventually triumph. Shaji Kailas tries to overcome that challenge with multiple villains and a track that involves a failure for a character. This can make things seem redundant after a point, with the plot going nowhere. Almost every mass film makes the mistake of making it all a fight between the hero and the vilain.
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