At the amplifier section department, whose head was Ferdinando Canale (later founder of SR-Technology and Sound Engineering), they created the wonderful and excellent SC800, still with a Val di Fiemmecabinet, of which two batches of 50 were produced. The first acoustic electrification system was the Shadow piezoelectric (the best pickups available at the time) and consequently, the need to have an amplifier to match the purpose also arose. The hardware was in solid brass and was produced in the internal workshops together with the excellent pick-ups (anti-hum in barium hexaferrite and in American alnico 5 ° – a special alloy of aluminum, nickel, chromium, cobalt and copper) which were offered as an alternative to the DiMarzio. On the electrical side, unibodies instruments were born, both bass and guitars, such as the M24, M20, CX7 and the BX7 and MB21 basses. (ACOUSTIC RESEARCH LABORATORY) in fact obtained the name Giuliani. Only the instruments that pass the very strict final tests of the E.A.R.L. And it follows:” The Giuliani is the only guitar available today for which the manufacturer can guarantee the level of both power and sound quality. An exceptional instrument from all points of view etc. The end of the 70s and the beginning of the 80s had seen the birth of high-quality instruments, entirely in solid wood and with Val di Fiemme spruce tops, such as the Alborada and Giuliani for classical guitars and the Korral Special and Chetro for the acoustics.
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